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home·artworks·The artist, selling old stuff to Tatar (Artist's Studio)
The artist, selling old stuff to Tatar (Artist's Studio) by Vladimir Makovsky

plate no. 3518

The artist, selling old stuff to Tatar (Artist's Studio)

Vladimir Makovsky, 1865

oilRealismgenre paintingfiguresinteriorclothingportraitsfurnitureroom
experienced study

Recreating this painting will help students develop skills in depicting figures in a realistic setting with complex lighting and color relationships, and learn to create depth through atmospheric perspective and detail variation.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of figures and objects.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure.

  3. step 03

    Develop the background, paying attention to the subtle variations in color and tone.

  4. step 04

    Refine the figures, working on the details of their clothing and facial features.

  5. step 05

    Add highlights and shadows to create depth and dimension.

  6. step 06

    Pay attention to the textures of different materials, such as fabric and wood.

  7. step 07

    Add final details, such as the portraits on the wall and the objects on the floor.

  8. step 08

    Adjust the overall color balance and value contrast to achieve a harmonious effect.

color palette

primary · burnt umber · yellow ochre · ivory black · titanium white

secondary · cadmium red · viridian · ultramarine blue

Achieve the muted tones by mixing earth colors with white and small amounts of other colors. Use glazes of transparent colors to create depth and luminosity.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Failing to capture the subtle variations in color and tone.
  • →Ignoring the importance of value contrast in creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a toned ground to simplify the initial stages of painting.

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related guides

oil painting for beginners →how to learn by studying the masters →
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