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home·artworks·The arrival of Emperor Franz Joseph and Empress Elisabeth of Austria in Venice in 1856
The arrival of Emperor Franz Joseph and Empress Elisabeth of Austria in Venice in 1856 by Ippolito Caffi

plate no. 3032

The arrival of Emperor Franz Joseph and Empress Elisabeth of Austria in Venice in 1856

Ippolito Caffi, 1856

oil, paperRealismcityscapecityscapefiguresboatsbuildingsskywater
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex scenes with many figures. It also provides practice in capturing architectural details and reflections in water.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings and the horizon line.

  2. step 02

    Block in the sky with a light blue wash, adding subtle variations in tone.

  3. step 03

    Establish the basic colors of the buildings, using a mix of warm and cool grays.

  4. step 04

    Paint the water with horizontal strokes, reflecting the colors of the sky and buildings.

  5. step 05

    Add the boats and figures, starting with the larger shapes and gradually adding details.

  6. step 06

    Refine the architectural details of the buildings, paying attention to the play of light and shadow.

  7. step 07

    Add highlights and shadows to the figures to create a sense of depth.

  8. step 08

    Add final details, such as flags and reflections, to complete the painting.

color palette

primary · ultramarine blue · burnt sienna · titanium white

secondary · yellow ochre · raw umber · cadmium red light

Mix blues and whites for the sky, and earth tones with white for the buildings. Use small amounts of red and yellow to create warmth in the buildings and figures.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·alla prima

common pitfalls

  • →Getting bogged down in details too early
  • →Not establishing a clear value structure
  • →Overworking the painting
  • →Incorrect proportions of buildings

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·#2 round brush
  • ·#6 flat brush
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a smooth canvas for best results. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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