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home·artworks·The Arno in Rovezzano
The Arno in Rovezzano by Odoardo Borrani

plate no. 0050

The Arno in Rovezzano

Odoardo Borrani, 1899

oil, panelRealismlandscaperiverboatsbuildingstreesskylandscape
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to simplify complex architectural forms into basic shapes. It also provides practice in mixing subtle color variations to represent light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, river, and boats.

  2. step 02

    Block in the sky with a light blue, slightly darker towards the top.

  3. step 03

    Establish the basic colors of the water, blending light and dark greens and blues.

  4. step 04

    Paint the buildings using a mix of ochre, umber, and white, paying attention to the light and shadow.

  5. step 05

    Add the trees and foliage with darker greens and browns, using short, broken brushstrokes.

  6. step 06

    Paint the boats, focusing on their shapes and reflections in the water.

  7. step 07

    Add details to the buildings, such as windows and architectural features.

  8. step 08

    Refine the overall painting, adjusting colors and values as needed.

color palette

primary · cerulean blue · yellow ochre · burnt umber · titanium white

secondary · sap green · raw sienna · cadmium yellow light

Mix greens for the water and foliage by combining blue and yellow. Achieve the building colors by mixing ochre, umber, and white in varying proportions. Use white to lighten colors and create highlights.

techniques

  • ·blocking in
  • ·blending
  • ·atmospheric perspective
  • ·broken color
  • ·scumbling

common pitfalls

  • →Overworking the details in the buildings, losing the overall impression.
  • →Making the water too uniform in color, neglecting the subtle variations.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Using colors that are too saturated, resulting in an unrealistic appearance.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grit canvas for best results. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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