apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Archangel Michael
The Archangel Michael by Francisco de Zurbaran

plate no. 7959

The Archangel Michael

Francisco de Zurbaran

oilBaroquereligious paintingangelarmorshieldwingsfigurereligious
experienced study

Recreating this painting will help students develop skills in rendering metallic surfaces, drapery, and creating a sense of depth through value and color variations. It also provides practice in depicting complex textures and patterns.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic figure and major elements (wings, shield, etc.) using light pencil lines.

  2. step 02

    Establish the background with a dark, muted tone.

  3. step 03

    Block in the main colors of the figure: skin tones, red drapery, and metallic armor.

  4. step 04

    Begin refining the shapes and values of the armor, paying attention to highlights and shadows.

  5. step 05

    Work on the drapery, adding folds and details to create a sense of volume.

  6. step 06

    Paint the wings, using soft, blended strokes to create a feathery texture.

  7. step 07

    Add details to the face, shield, and other elements, using fine brushes.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the depth.

color palette

primary · burnt umber · cadmium red · titanium white · yellow ochre

secondary · ivory black · ultramarine blue · gold

Mix various shades of red by combining cadmium red with burnt umber and titanium white. Achieve metallic tones by blending yellow ochre, burnt umber, and titanium white, using glazes to create highlights and shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering metal
  • ·drapery folds

common pitfalls

  • →overworking details too early
  • →creating flat, lifeless metallic surfaces
  • →inaccurate proportions
  • →muddy colors

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to establish a mid-tone value.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne