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home·artworks·The Annunciation
The Annunciation by Salomon Koninck

plate no. 2602

The Annunciation

Salomon Koninck, 1655

canvas, oilBaroquereligious paintingangelfigureinteriorreligiouscloudlight
experienced study

Recreating this painting will help students understand chiaroscuro and how to create a focal point using light. It will also improve skills in rendering figures and drapery.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the main light source.

  2. step 02

    Establish the dark background using a mix of browns and blacks.

  3. step 03

    Block in the main shapes of the figures with mid-tones.

  4. step 04

    Begin building up the highlights on the angel and the woman, paying attention to the direction of the light.

  5. step 05

    Refine the details of the faces and hands.

  6. step 06

    Add the drapery folds and textures, using both highlights and shadows.

  7. step 07

    Create the cloud effect around the angel with soft, blended strokes.

  8. step 08

    Add final glazes to deepen shadows and unify the color palette.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Achieve the warm, glowing tones by mixing burnt umber and raw sienna with white. Use small amounts of cadmium red and yellow ochre to create the highlights on the figures and drapery. Mix ultramarine blue with burnt umber to create the dark shadows.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·blending
  • ·scumbling
  • ·underpainting

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value contrast.
  • →Using colors that are too saturated.
  • →Losing the sense of atmosphere in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use a high-quality canvas primed with oil-based primer for best results.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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