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home·artworks·The Annunciation
The Annunciation by Josefa de Obidos

plate no. 0185

The Annunciation

Josefa de Obidos

oilBaroquereligious paintingangelmarydovecloudsbookflowers
experienced study

Recreating this painting will help students develop skills in rendering figures with drapery, creating atmospheric perspective, and understanding chiaroscuro. It also provides practice in depicting complex compositions with multiple figures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the main figures and their placement on the canvas, paying attention to proportions.

  2. step 02

    Establish the background with a warm, reddish-brown tone, blending it smoothly.

  3. step 03

    Block in the main color masses for the angel's robes, Mary's dress, and the surrounding clouds.

  4. step 04

    Begin to refine the figures, adding details to their faces, hands, and drapery folds.

  5. step 05

    Introduce highlights and shadows to create depth and volume, focusing on the light source from the dove.

  6. step 06

    Paint the details of the book, flowers, and rug, using smaller brushes.

  7. step 07

    Add the faces in the clouds, softening their edges to blend with the background.

  8. step 08

    Refine the overall composition, adjusting values and colors as needed to create a harmonious effect.

color palette

primary · burnt umber · raw sienna · cadmium red · titanium white

secondary · yellow ochre · ivory black · ultramarine blue

Achieve the warm, glowing tones by mixing burnt umber and raw sienna with varying amounts of white. Use small amounts of blue and black to create shadows and depth.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending
  • ·rendering drapery

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Creating muddy colors by overmixing.
  • →Ignoring the atmospheric perspective, making the background too sharp.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·cadmium red oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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