apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The angel
The angel by Roberto Bompiani

plate no. 8313

The angel

Roberto Bompiani, 1902

oilRealismreligious paintingfigureportraitangelhalohairreligious
some experience helpful

Recreating this painting will help students develop skills in subtle color mixing, portrait proportions, and creating soft, diffused light effects. It also provides practice in rendering delicate facial features and hair.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, neck, and shoulders, paying attention to proportions.

  2. step 02

    Draw the halo as a light circle around the head.

  3. step 03

    Establish the main light and shadow areas with a thin wash of diluted brown or ochre.

  4. step 04

    Begin layering in skin tones, starting with the mid-tones and gradually adding highlights and shadows.

  5. step 05

    Mix and apply subtle variations of pink and red to the cheeks, lips, and ears.

  6. step 06

    Paint the hair using a combination of browns, ochres, and yellows, using short, broken strokes to create texture.

  7. step 07

    Add the background color, blending it softly around the figure.

  8. step 08

    Refine details and adjust values as needed to achieve a harmonious and realistic effect.

color palette

primary · raw umber · titanium white · cadmium red light

secondary · yellow ochre · ultramarine blue · burnt sienna

Achieve skin tones by mixing white, raw umber, and small amounts of red and yellow ochre. Use ultramarine blue to cool down the background and create subtle shadows.

techniques

  • ·glazing
  • ·soft blending
  • ·scumbling
  • ·color layering
  • ·portrait proportions

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too saturated or intense.
  • →Failing to capture the subtle variations in skin tone.
  • →Incorrect proportions of facial features.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·water container
  • ·soft cloth
  • ·kneaded eraser

optional

  • ·masking fluid
  • ·watercolor pencils

Use high-quality watercolor paints for best results. Experiment with different brands to find your preferred colors and textures.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy