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home·artworks·The Adoration of the Shepherds
The Adoration of the Shepherds by Jan Cossiers

plate no. 3237

The Adoration of the Shepherds

Jan Cossiers

oilBaroquereligious paintingfiguresnativitysheephayreligious scenebaby
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery, and creating a sense of depth through atmospheric perspective. It also provides practice in rendering textures like hay and wool using layering and glazing techniques.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and composition on the canvas, paying attention to proportions and placement.

  2. step 02

    Establish the overall value structure by blocking in the dark and light areas with thin washes of color.

  3. step 03

    Begin layering colors, starting with the darker tones and gradually building up to the highlights.

  4. step 04

    Focus on rendering the figures, paying attention to anatomical accuracy and facial expressions.

  5. step 05

    Add details to the drapery, creating folds and shadows to convey volume and texture.

  6. step 06

    Render the textures of the hay, wool, and other objects using dry brush techniques and layering.

  7. step 07

    Glaze over the painting to unify the colors and create a sense of depth.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · raw umber · burnt sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red light · ultramarine blue · naples yellow

Achieve the warm, earthy tones by mixing raw umber, burnt sienna, and yellow ochre. Create highlights by adding titanium white to these colors. Use ultramarine blue and ivory black to create cool shadows.

techniques

  • ·underpainting
  • ·glazing
  • ·dry brush
  • ·chiaroscuro
  • ·figure drawing

common pitfalls

  • →Getting lost in the details too early before establishing the overall value structure.
  • →Using colors that are too saturated, which can make the painting look unnatural.
  • →Failing to create a sense of depth by not using atmospheric perspective.
  • →Poor anatomical accuracy in the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (#2, #4, #6)
  • ·flat brushes (#6, #8)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium (e.g. Liquin)

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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