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home·artworks·The Adoration of the Magi
The Adoration of the Magi by Salomon Koninck

plate no. 5693

The Adoration of the Magi

Salomon Koninck, 1645

wood, oil, panelBaroquereligious paintingfiguresnativityreligious scenearchitecturestarmagi
experienced study

Recreating this painting will help students develop skills in chiaroscuro and rendering complex scenes with many figures. It also provides practice in capturing the texture of fabrics and the glow of light.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
5
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the main figures and the overall structure of the scene.

  2. step 02

    Establish the dark background using a mix of browns and blacks, leaving areas for the light to emerge.

  3. step 03

    Block in the main areas of light and shadow on the figures, using a limited palette of earth tones and white.

  4. step 04

    Begin to refine the details of the faces and clothing, paying attention to the folds and textures.

  5. step 05

    Add the highlights and shadows to create a sense of depth and volume.

  6. step 06

    Introduce the secondary colors, such as reds and blues, to add richness and complexity to the palette.

  7. step 07

    Focus on the light source and how it illuminates the scene, creating a sense of drama and atmosphere.

  8. step 08

    Add final details and glazes to unify the painting and enhance the overall effect.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red · ultramarine blue · yellow ochre

Achieve the warm glow by layering thin glazes of yellow ochre and burnt sienna over a lighter underpainting. Mix darks by combining burnt umber, ivory black, and a touch of ultramarine blue.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·underpainting

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a strong value structure
  • →Using too many colors and losing the unity of the palette
  • →Ignoring the importance of the light source

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a canvas with a smooth texture to allow for fine details and glazing.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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