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home·artworks·The Admonition
The Admonition by Theodule Ribot

plate no. 7803

The Admonition

Theodule Ribot

oilRealismgenre paintingfiguresinteriorreadingclothingbookstill life
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly rendering skin tones and fabric, as well as understanding and applying chiaroscuro to create depth and form. It also offers practice in capturing the texture of different materials using visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and objects.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main shapes of the figures and objects with mid-tone values.

  4. step 04

    Begin to build up the light areas, focusing on the faces and white clothing, using subtle gradations of color.

  5. step 05

    Develop the details of the faces, paying attention to the subtle shifts in value and color.

  6. step 06

    Add details to the clothing and objects, capturing the textures with visible brushstrokes.

  7. step 07

    Refine the edges and transitions between light and shadow.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · sap green

Mix various shades of brown and gray by combining black, umber, and white. Use yellow ochre and burnt sienna to create warm skin tones, and add a touch of green for shadows.

techniques

  • ·chiaroscuro
  • ·scumbling
  • ·dry brushing
  • ·portraiture
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much paint and losing the subtle gradations of color.
  • →Not capturing the correct proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas to allow for visible brushstrokes. Consider using a toned canvas to simplify the initial blocking-in process.

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oil painting for beginners →how to learn by studying the masters →
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