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home·artworks·The absinthe drinker
The absinthe drinker by Albrecht Anker

plate no. 5894

The absinthe drinker

Albrecht Anker, 1907

oilRealismgenre paintingfiguretableglassclothinginteriorhat
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing realistic skin tones and textures, and understanding how light interacts with different surfaces. It also provides practice in rendering details and creating a sense of depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes: figure, table, and background.

  2. step 02

    Establish the background with a thin wash of brown, gradually building up darker areas.

  3. step 03

    Block in the main colors of the figure's clothing, using a limited palette of browns and creams.

  4. step 04

    Begin working on the face, focusing on accurate proportions and subtle value changes to create form.

  5. step 05

    Add details to the hands and other elements, such as the glass and bag, paying attention to highlights and shadows.

  6. step 06

    Refine the overall composition by adjusting values and adding subtle details to create depth.

  7. step 07

    Add final highlights and details to the face and clothing to enhance realism.

  8. step 08

    Glaze with thin washes to unify the colors and create a sense of atmosphere.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · yellow ochre · payne's gray

Achieve skin tones by mixing burnt sienna, raw umber, and titanium white. Use yellow ochre and a touch of payne's gray to create subtle variations in the clothing.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·value studies
  • ·underpainting

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·payne's gray oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a canvas with a smooth surface for best results. Consider using a toned canvas to speed up the underpainting process.

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oil painting for beginners →how to learn by studying the masters →
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