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home·artworks·The Aarekanal near Thun
The Aarekanal near Thun by Ferdinand Hodler

plate no. 0649

The Aarekanal near Thun

Ferdinand Hodler, 1879

oil, canvasRealismlandscaperivertreesskyreflectionboatlandscape
some experience helpful

This painting offers a good opportunity to practice capturing reflections in water and creating depth through atmospheric perspective. Students can also learn to simplify complex foliage into manageable shapes and textures.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the river, trees, and horizon line.

  2. step 02

    Block in the sky with a light blue, blending it softly towards the horizon.

  3. step 03

    Establish the dark masses of the large tree on the right and the distant trees on the left.

  4. step 04

    Begin adding the mid-tone greens and yellows to the foliage, varying the colors slightly to create visual interest.

  5. step 05

    Paint the reflections in the water, using slightly desaturated versions of the colors above.

  6. step 06

    Add details to the boat and figures, keeping them simple and suggestive.

  7. step 07

    Refine the edges of the trees and foliage, adding highlights and shadows to create depth.

  8. step 08

    Add final touches to the sky and water, adjusting the values and colors as needed.

color palette

primary · cerulean blue · yellow ochre · sap green · burnt umber

secondary · titanium white · cadmium yellow · raw sienna

Mix greens by combining yellow ochre and cerulean blue. Use burnt umber and white to create darker shades for shadows. Lighten colors with titanium white.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·reflection

common pitfalls

  • →Overworking the details in the foliage, resulting in a flat and lifeless appearance.
  • →Making the reflections too perfect and symmetrical, which can look unnatural.
  • →Failing to create enough contrast between the light and dark areas, resulting in a muddy painting.
  • →Not simplifying the shapes of the trees and foliage, leading to a cluttered composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·cerulean blue oil paint
  • ·yellow ochre oil paint
  • ·sap green oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·round brushes size 4 and 8
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g. Liquin)
  • ·easel

Use a high-quality canvas for best results. Consider using a medium to speed up drying time.

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oil painting for beginners →how to learn by studying the masters →
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