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home·artworks·The 2nd Battalion, Green Howards at Menin Crossroads near Gheluvelt during the First Battle of Ypres
The 2nd Battalion, Green Howards at Menin Crossroads near Gheluvelt during the First Battle of Ypres by Fortunino Matania

plate no. 3841

The 2nd Battalion, Green Howards at Menin Crossroads near Gheluvelt during the First Battle of Ypres

Fortunino Matania, 1923

oilRealismillustrationbuildingsfiguressoldierswarstreetsky
experienced study

Recreating this painting will help students develop skills in depicting figures in perspective and creating a sense of depth through atmospheric perspective and color temperature changes. It also provides practice in rendering textures of brick and fabric.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major shapes and perspective lines of the buildings and street.

  2. step 02

    Establish the horizon line and vanishing points to guide the placement of figures and buildings.

  3. step 03

    Block in the sky with a thin wash of gray and white, paying attention to the cloud formations.

  4. step 04

    Apply a base layer of color to the buildings, using a mix of browns, reds, and grays.

  5. step 05

    Start painting the figures, focusing on their proportions and poses. Use a limited palette of earth tones.

  6. step 06

    Add details to the buildings, such as windows, doors, and damaged brickwork.

  7. step 07

    Refine the figures, adding details to their uniforms and faces.

  8. step 08

    Add final details such as debris, smoke, and highlights to create depth and realism.

color palette

primary · burnt umber · raw sienna · titanium white · payne's gray

secondary · cadmium red · yellow ochre · ultramarine blue

Achieve the muted tones by mixing earth tones with white and small amounts of blue or red. Use Payne's gray to darken colors and create shadows.

techniques

  • ·atmospheric perspective
  • ·figure drawing
  • ·linear perspective
  • ·dry brushing
  • ·glazing

common pitfalls

  • →Incorrect perspective can flatten the image.
  • →Overworking details can make the painting look stiff.
  • →Inaccurate figure proportions will detract from realism.
  • →Using too many bright colors will ruin the somber mood.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine or mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-tooth canvas for better texture. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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