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home·artworks·Thales Causing the River to Flow on Both Sides of the Lydian Army
Thales Causing the River to Flow on Both Sides of the Lydian Army by Salvator Rosa

plate no. 8383

Thales Causing the River to Flow on Both Sides of the Lydian Army

Salvator Rosa

oil, canvasBaroquehistory paintingfiguresriverlandscapetreescloudssoldiers
experienced study

Recreating this painting will help students develop skills in depicting complex scenes with many figures and atmospheric perspective. It also provides practice in rendering textures of rocks, trees, and water using loose brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the overall landscape.

  2. step 02

    Establish the dark background tones using burnt umber and black.

  3. step 03

    Block in the main shapes of the rocks, trees, and figures with mid-tones.

  4. step 04

    Start adding highlights to the clouds and the figures in the foreground.

  5. step 05

    Develop the details of the figures, paying attention to their anatomy and clothing.

  6. step 06

    Refine the textures of the rocks and trees using dry brush techniques.

  7. step 07

    Add reflections in the water, using lighter tones and broken brushstrokes.

  8. step 08

    Glaze with thin layers of color to unify the painting and create depth.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · ultramarine blue · cadmium red · yellow ochre

Achieve the dark, earthy tones by mixing burnt umber and black. Use white to create highlights and add small amounts of blue or red to create subtle color variations.

techniques

  • ·chiaroscuro
  • ·atmospheric perspective
  • ·dry brush
  • ·glazing
  • ·scumbling

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a strong value structure
  • →Using too much detail in the background
  • →Not creating enough contrast between light and shadow

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Burnt umber oil paint
  • ·Raw sienna oil paint
  • ·Titanium white oil paint
  • ·Ivory black oil paint
  • ·Round brushes (various sizes)
  • ·Flat brushes (various sizes)
  • ·Linseed oil

optional

  • ·Palette knife
  • ·Turpentine
  • ·Retouch varnish

Use a canvas with a medium texture to allow for better brushwork. Consider using a toned canvas to help establish the dark background tones.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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