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home·artworks·Terem Palace. The yield of the chambers of the Gold porch.
Terem Palace. The yield of the chambers of the Gold porch. by Vasily Polenov

plate no. 6135

Terem Palace. The yield of the chambers of the Gold porch.

Vasily Polenov, 1877

oilRealisminteriorinteriorarchitecturedoorwaylightfurniturepainting
some experience helpful

Recreating this painting will help students develop skills in depicting light and shadow within an interior space, as well as understanding atmospheric perspective and color temperature.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective of the room, focusing on the doorways and furniture.

  2. step 02

    Establish the main light source and areas of shadow with a thin wash of burnt umber and raw sienna.

  3. step 03

    Block in the general colors of the walls, floor, and furniture, paying attention to the subtle shifts in color temperature.

  4. step 04

    Begin adding details to the architectural elements, such as the arches and decorative patterns on the walls.

  5. step 05

    Develop the light and shadow on the furniture and floor, using thicker paint and more visible brushstrokes.

  6. step 06

    Add the details of the painting on the wall and the stained glass in the window.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the sense of light and form.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · alizarin crimson · yellow ochre

Mix various shades of brown and beige by combining burnt umber, raw sienna, and white. Use small amounts of blue and crimson to create cooler shadows and subtle variations in the wall color.

techniques

  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong sense of light and shadow.
  • →Using colors that are too saturated or bright.
  • →Ignoring the subtle shifts in color temperature.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·alizarin crimson oil paint
  • ·round brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a medium-grain canvas to allow for texture. Consider using a toned canvas to help establish the overall color scheme.

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oil painting for beginners →how to learn by studying the masters →
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