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home·artworks·Tears of St. Peter
Tears of St. Peter by Georges de la Tour

plate no. 2428

Tears of St. Peter

Georges de la Tour, 1648

oil, canvasTenebrismreligious paintingfigurelanterncandlelightreligioustable
some experience helpful

Recreating this painting will help students understand chiaroscuro and how to depict light emanating from a single source. It also provides practice in rendering realistic skin tones under dramatic lighting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
5
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, lantern, and table.

  2. step 02

    Establish the darkest areas of the painting with a dark brown or black.

  3. step 03

    Block in the areas illuminated by the candlelight with a warm yellow-orange.

  4. step 04

    Begin layering the skin tones, starting with the shadows and gradually adding highlights.

  5. step 05

    Refine the details of the lantern, paying attention to the way the light reflects off the glass.

  6. step 06

    Soften the edges of the forms to create a sense of atmosphere.

  7. step 07

    Add final highlights to the face, hands, and lantern to enhance the dramatic effect.

  8. step 08

    Glaze with thin layers of color to unify the painting and deepen the shadows.

color palette

primary · burnt umber · yellow ochre · titanium white

secondary · raw sienna · ivory black

Achieve skin tones by mixing yellow ochre, burnt umber, and titanium white. Use burnt umber and ivory black for the darkest shadows. Mix yellow ochre with a touch of burnt umber for the warm glow of the candlelight.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·blending

common pitfalls

  • →Over-blending, which can flatten the forms.
  • →Using too much white, which can make the colors look chalky.
  • →Ignoring the subtle variations in skin tone.
  • →Losing the sense of depth in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·raw sienna oil paint
  • ·ivory black oil paint

Use a canvas with a smooth surface for easier blending. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →how to learn by studying the masters →
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