
plate no. 2428
Georges de la Tour, 1648
Recreating this painting will help students understand chiaroscuro and how to depict light emanating from a single source. It also provides practice in rendering realistic skin tones under dramatic lighting.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figure, lantern, and table.
Establish the darkest areas of the painting with a dark brown or black.
Block in the areas illuminated by the candlelight with a warm yellow-orange.
Begin layering the skin tones, starting with the shadows and gradually adding highlights.
Refine the details of the lantern, paying attention to the way the light reflects off the glass.
Soften the edges of the forms to create a sense of atmosphere.
Add final highlights to the face, hands, and lantern to enhance the dramatic effect.
Glaze with thin layers of color to unify the painting and deepen the shadows.
color palette
primary · burnt umber · yellow ochre · titanium white
secondary · raw sienna · ivory black
Achieve skin tones by mixing yellow ochre, burnt umber, and titanium white. Use burnt umber and ivory black for the darkest shadows. Mix yellow ochre with a touch of burnt umber for the warm glow of the candlelight.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a canvas with a smooth surface for easier blending. Consider using a toned canvas to establish a base color.
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