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home·artworks·Tableware market in Szolnok
Tableware market in Szolnok by August von Pettenkofen

plate no. 9542

Tableware market in Szolnok

August von Pettenkofen

oilRealismgenre paintingmarketfigureshorsesarchitectureskybirds
some experience helpful

Recreating this painting will help students develop skills in depicting atmospheric perspective and rendering complex scenes with many figures. It also provides practice in capturing light and shadow on various forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the monument, buildings, and general placement of figures and horses.

  2. step 02

    Establish the sky using light blue and white, blending to create soft clouds.

  3. step 03

    Block in the large shapes of the buildings and the monument with their base colors, paying attention to the light and shadow.

  4. step 04

    Start adding details to the figures in the market, focusing on capturing their gestures and clothing with simple brushstrokes.

  5. step 05

    Paint the horses, using darker tones for the shadows and lighter tones for the highlights.

  6. step 06

    Add details to the monument, including the statues and the golden halo.

  7. step 07

    Refine the details in the foreground, including the tableware and other objects.

  8. step 08

    Add final touches, such as the birds in the sky and the branches on the monument.

color palette

primary · titanium white · raw umber · ultramarine blue

secondary · yellow ochre · burnt sienna · cadmium red

Mix various shades of brown and gray by combining raw umber, ultramarine blue, and titanium white. Use yellow ochre and cadmium red sparingly to add warmth to the figures and buildings.

techniques

  • ·blocking in
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Getting lost in the details too early; focus on the big shapes first.
  • →Overworking the painting; maintain loose brushstrokes.
  • →Ignoring the atmospheric perspective; make distant objects lighter and less detailed.
  • →Creating muddy colors; avoid overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·#4 round brush
  • ·#8 flat brush
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·odorless mineral spirits

Use a medium-sized canvas to allow for sufficient detail. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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