apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Tableau De Marine
Tableau De Marine by Abraham Storck

plate no. 5802

Tableau De Marine

Abraham Storck

oilBaroquemarinashipsseacloudsfiguresflagsboats
experienced study

Recreating this painting will help students develop skills in rendering atmospheric perspective and creating depth through value and detail changes. It also provides practice in painting complex shapes like ships and figures in a historical style.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and placement of the ships and figures, paying attention to perspective.

  2. step 02

    Establish the sky and cloud formations with broad, blended strokes.

  3. step 03

    Block in the dark values of the ships, gradually adding highlights to define their forms.

  4. step 04

    Paint the water with horizontal strokes, reflecting the colors of the sky and ships.

  5. step 05

    Add details to the ships, such as rigging, flags, and decorative elements.

  6. step 06

    Paint the figures in the boats, focusing on their silhouettes and basic shapes.

  7. step 07

    Refine the details and adjust values to create a sense of depth and atmosphere.

  8. step 08

    Add final touches, such as highlights on the water and small details on the ships.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · yellow ochre · ivory black

Achieve the muted tones by mixing the primary colors with white and small amounts of secondary colors. Use burnt umber and ultramarine blue to create a range of grays for the ships. Mix yellow ochre and burnt umber for the cloud highlights.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·rendering details

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the effects of atmospheric perspective.
  • →Making the colors too saturated and unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·round brushes (#2, #4, #6)
  • ·flat brushes (#4, #8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use a canvas with a fine weave for better detail rendering. Consider using a toned canvas to help establish the overall value range.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne