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home·artworks·Tête de jeune fille
Tête de jeune fille by António de Carvalho da Silva Porto

plate no. 9175

Tête de jeune fille

António de Carvalho da Silva Porto

oilRealismportraitportraitfigureheadscarfclothingfaceyoung woman
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones with subtle color variations. It also provides practice in using visible brushstrokes to create texture and form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, headscarf, and shoulders.

  2. step 02

    Establish the main light and shadow areas on the face and clothing with thin washes of color.

  3. step 03

    Begin building up the skin tones, layering different shades of brown, red, and yellow.

  4. step 04

    Define the features of the face, paying attention to the subtle variations in color and value.

  5. step 05

    Add details to the headscarf, using short, broken brushstrokes to create texture.

  6. step 06

    Refine the clothing, using a combination of thick and thin paint to create depth and dimension.

  7. step 07

    Adjust the background color to complement the figure.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · burnt umber · titanium white · cadmium red

secondary · yellow ochre · viridian green · raw sienna

Mix skin tones by blending burnt umber, titanium white, cadmium red, and a touch of yellow ochre. Use viridian green and raw sienna to create the muted greens in the background and clothing.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·color layering
  • ·portraiture

common pitfalls

  • →Overblending the skin tones, resulting in a flat, lifeless appearance.
  • →Failing to capture the correct proportions of the face.
  • →Ignoring the subtle color variations in the shadows.
  • →Using too much detail in the background, distracting from the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·#4 round brush
  • ·#6 flat brush
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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