apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Swiss landscape with horses
Swiss landscape with horses by Aleksey Savrasov

plate no. 3900

Swiss landscape with horses

Aleksey Savrasov, 1867

oilRealismlandscapetreeswaterskymountainshorseslandscape
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmospheric perspective, as well as rendering reflections in water.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, water, and mountains.

  2. step 02

    Block in the sky with light blues and whites, blending softly.

  3. step 03

    Establish the dark masses of the trees, using a mix of browns, greens, and blacks.

  4. step 04

    Paint the distant mountains with muted blues and grays to create atmospheric perspective.

  5. step 05

    Add the base colors for the water and foreground vegetation.

  6. step 06

    Develop the details of the trees, adding highlights and shadows to create form.

  7. step 07

    Render the reflections in the water, paying attention to the distortion and color variations.

  8. step 08

    Add final details such as the horses and highlights on the vegetation.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · sap green · cadmium yellow · alizarin crimson

Mix greens by blending yellow ochre and ultramarine blue. Achieve atmospheric perspective by adding white to colors for distant elements.

techniques

  • ·layering
  • ·blending
  • ·atmospheric perspective
  • ·rendering reflections
  • ·dry brushing

common pitfalls

  • →Overworking the details in the trees, resulting in a flat appearance.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Making the reflections in the water too literal and not distorted enough.
  • →Using colors that are too saturated, which can detract from the overall mood.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·round brushes (#2, #6)
  • ·flat brushes (#4, #8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy