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home·artworks·Sweetest eyes that were ever seen…
Sweetest eyes that were ever seen… by John Everett Millais

plate no. 8682

Sweetest eyes that were ever seen…

John Everett Millais, 1881

oil, canvasRealismportraitportraitfiguregirlbasketflowersclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and subtle skin tones, as well as rendering complex textures like fabric and hair with soft blending techniques.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of the basket.

  2. step 02

    Establish the background with broad, dark tones, leaving areas for highlights and details later.

  3. step 03

    Block in the main shapes of the figure, paying attention to the overall form and gesture.

  4. step 04

    Begin layering in the skin tones, using subtle color variations to create depth and dimension.

  5. step 05

    Develop the details of the clothing, capturing the patterns and textures with small brushstrokes.

  6. step 06

    Add the hair, using a combination of soft blending and defined strands to create a realistic effect.

  7. step 07

    Paint the basket and its contents, paying attention to the light and shadow on the objects.

  8. step 08

    Refine the details and make any necessary adjustments to the composition and color balance.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red

secondary · ultramarine blue · alizarin crimson · sap green

Achieve skin tones by mixing titanium white, yellow ochre, and a touch of cadmium red. Use ultramarine blue and burnt umber for dark shadows. Mix alizarin crimson and titanium white for the pink hues in the face.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·soft blending
  • ·rendering fabric

common pitfalls

  • →Overworking the skin tones and losing the subtle variations.
  • →Getting the proportions of the figure wrong.
  • →Making the background too flat and lacking depth.
  • →Failing to capture the texture of the clothing.
  • →Not paying attention to the light and shadow on the objects.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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