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Sweet slumber by Émile Auguste Hublin

plate no. 1791

Sweet slumber

Émile Auguste Hublin, 1875

oil, canvasRealismgenre paintingfigurebabyinteriorclothingfurnitureportrait
some experience helpful

Recreating this painting will help students develop skills in portraiture, rendering fabric and skin tones, and creating a sense of depth through subtle value changes. It also offers practice in depicting realistic textures and details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on proportions.

  2. step 02

    Establish the background with thin washes of color, paying attention to the light source.

  3. step 03

    Block in the main colors of the figures and clothing, focusing on accurate color matching.

  4. step 04

    Begin to refine the forms with gradual value changes, building up layers of paint.

  5. step 05

    Pay close attention to the details of the face, hands, and clothing folds.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the details of the furniture and other objects in the scene.

  8. step 08

    Add final glazes to unify the painting and enhance the colors.

color palette

primary · raw umber · ultramarine blue · titanium white · yellow ochre

secondary · burnt sienna · cadmium red light · ivory black

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use ultramarine blue and raw umber to create various shades of gray and brown for the clothing and furniture. Add small amounts of red or yellow to warm or cool the colors as needed.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Neglecting the importance of accurate proportions.
  • →Failing to create a sense of depth through value changes.
  • →Getting lost in details before establishing the overall composition.
  • →Using too much paint in the initial layers.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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