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home·artworks·Suzanne De Boubers De Bernâtre
Suzanne De Boubers De Bernâtre by Hyacinthe Rigaud

plate no. 4091

Suzanne De Boubers De Bernâtre

Hyacinthe Rigaud, 1686

oilBaroqueportraitportraitfiguredressdraperyflowerscolumn
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric and skin tones with subtle color variations. It also provides practice in creating a sense of depth and form through light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions and placement of the figure and key elements.

  2. step 02

    Establish the background with thin washes of color, building up layers to create depth.

  3. step 03

    Block in the main shapes of the figure, including the dress, drapery, and skin tones.

  4. step 04

    Begin refining the facial features, paying close attention to the light and shadow.

  5. step 05

    Develop the details of the dress and drapery, using layering and blending techniques to create a sense of volume and texture.

  6. step 06

    Add the flowers and other details, using small brushes to capture their delicate forms.

  7. step 07

    Refine the overall composition, adjusting the values and colors to create a harmonious and balanced image.

  8. step 08

    Add final highlights and shadows to enhance the sense of realism.

color palette

primary · yellow ochre · ultramarine blue · titanium white

secondary · burnt umber · cadmium yellow · alizarin crimson

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Create the blues by mixing ultramarine with white and a touch of black. The yellow dress is a mix of yellow ochre and cadmium yellow.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·layering

common pitfalls

  • →Getting the proportions wrong
  • →Overworking the details too early
  • →Using colors that are too saturated
  • →Failing to create a sense of depth

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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