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home·artworks·Susanna and the Elders
Susanna and the Elders by Pieter Lastman

plate no. 4781

Susanna and the Elders

Pieter Lastman

oilBaroquereligious paintingfigureslandscapebuildingtreesfoliagesphinx
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating atmospheric perspective. It also provides practice in depicting complex compositions with multiple figures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of figures, sphinx, and background elements.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure.

  3. step 03

    Develop the background landscape, paying attention to atmospheric perspective by using muted colors and softer edges for distant elements.

  4. step 04

    Refine the figures, focusing on accurate proportions, anatomy, and drapery folds.

  5. step 05

    Add details to the sphinx, including the texture of the stone and the flowing water.

  6. step 06

    Develop the foliage and trees, using a variety of brushstrokes to create texture and depth.

  7. step 07

    Refine the highlights and shadows to create a sense of volume and form.

  8. step 08

    Add final details and glazes to enhance the overall effect.

color palette

primary · raw umber · titanium white · cadmium red light

secondary · ultramarine blue · yellow ochre · ivory black

Mix various shades of pink for the robes by combining cadmium red light with titanium white and a touch of raw umber. Achieve the dark greens by mixing ultramarine blue, yellow ochre, and ivory black.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·drapery rendering

common pitfalls

  • →Incorrect proportions of the figures
  • →Overworking the details too early
  • →Failing to create a sense of depth in the landscape
  • →Using colors that are too saturated

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints: raw umber, titanium white, cadmium red light, ultramarine blue, yellow ochre, ivory black
  • ·Palette
  • ·Assorted brushes (round, flat, filbert)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use a high-quality canvas and artist-grade oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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