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home·artworks·Susanna and the Elders
Susanna and the Elders by Jan Dirksz Both

plate no. 3958

Susanna and the Elders

Jan Dirksz Both, 1642

oil, canvasBaroquereligious paintingfiguretreesarchitecturefoliagestatuelandscape
experienced study

Recreating this painting will help students develop skills in rendering figures in a landscape setting and understanding chiaroscuro to create depth and drama. It will also help in learning how to create a sense of atmosphere and distance through color and value.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures, architectural elements, and landscape features.

  2. step 02

    Establish the overall composition and perspective, paying attention to the placement of the figures and the statue.

  3. step 03

    Block in the main areas of color, focusing on the dark and light values to create the chiaroscuro effect.

  4. step 04

    Develop the background elements, such as the trees and foliage, using layers of thin washes to create depth.

  5. step 05

    Refine the figures, paying attention to the anatomy and the play of light and shadow on their forms.

  6. step 06

    Add details to the architectural elements and the statue, using small brushes to create texture and interest.

  7. step 07

    Glaze the painting with thin layers of color to unify the composition and enhance the atmosphere.

  8. step 08

    Add final highlights and shadows to create a sense of realism and drama.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · ultramarine blue · cadmium red

Achieve the muted tones by mixing earth colors with black and white. Use ultramarine blue to cool down the greens and create atmospheric perspective.

techniques

  • ·Chiaroscuro
  • ·Glazing
  • ·Underpainting
  • ·Scumbling
  • ·Atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints: Burnt Umber, Raw Sienna, Ivory Black, Titanium White, Yellow Ochre, Ultramarine Blue, Cadmium Red
  • ·Linseed oil
  • ·Turpentine or odorless mineral spirits
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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