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home·artworks·SUNSET AT ST. DOULOUGH'S, MALAHIDE (HOME OF THE ARTIST)
SUNSET AT ST. DOULOUGH'S, MALAHIDE (HOME OF THE ARTIST) by Nathaniel Hone the Younger

plate no. 7309

SUNSET AT ST. DOULOUGH'S, MALAHIDE (HOME OF THE ARTIST)

Nathaniel Hone the Younger

oilRealismlandscapelandscapeskycloudstreesfieldsunset
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as practicing loose, expressive brushstrokes to capture the texture of clouds and foliage.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the horizon line and the basic shapes of the trees and clouds.

  2. step 02

    Block in the sky with a thin wash of yellow and orange, allowing it to blend softly.

  3. step 03

    Add the darker tones of the clouds using gray and blue, focusing on the shapes and movement.

  4. step 04

    Establish the dark mass of the trees along the horizon line.

  5. step 05

    Block in the green field with varying shades of green, adding highlights and shadows.

  6. step 06

    Refine the shapes of the trees, adding details with darker and lighter tones.

  7. step 07

    Add final touches to the clouds, enhancing the highlights and shadows.

  8. step 08

    Review the painting and make any necessary adjustments to the composition and color balance.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium orange · sap green · raw sienna

Mix grays by combining ultramarine blue and burnt umber with white. Achieve the sunset colors by blending yellow ochre, cadmium orange, and white. Vary the greens by mixing sap green with yellow ochre and burnt umber.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the clouds and losing the sense of atmosphere.
  • →Making the trees too detailed and distracting from the overall composition.
  • →Creating a flat, uniform green field.
  • →Not paying attention to the subtle color variations in the sky.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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