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home·artworks·Summer Morning on the Oise
Summer Morning on the Oise by Charles-Francois Daubigny

plate no. 4851

Summer Morning on the Oise

Charles-Francois Daubigny, 1869

oil, canvasRealismlandscaperivertreesboatsskyfigureslandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle color variations in natural light. It also provides practice in rendering reflections on water and depicting foliage with loose brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a neutral ground.

  2. step 02

    Sketch the basic composition, including the horizon line, riverbanks, and placement of major elements like trees and boats.

  3. step 03

    Block in the sky with light blues and pinks, blending the colors softly.

  4. step 04

    Establish the base colors of the water, using ochres, browns, and blues, and indicate the reflections.

  5. step 05

    Paint the distant trees and landscape, focusing on muted colors and soft edges to create atmospheric perspective.

  6. step 06

    Add the darker trees on the right side, using varied greens and browns and visible brushstrokes.

  7. step 07

    Paint the boats and figures, paying attention to their shapes and values.

  8. step 08

    Add details to the foreground, including grasses and reflections, using small brushstrokes and varying colors.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · alizarin crimson · viridian green

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve atmospheric perspective by lightening and desaturating colors as they recede into the distance. Use alizarin crimson to create the pinks in the sky.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details in the background, which should remain soft and muted.
  • →Using too much pure color without mixing, which can make the painting look unnatural.
  • →Failing to establish a clear value structure, which can flatten the composition.
  • →Ignoring the subtle color shifts in the water and reflections.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting apron

Use a limited palette to simplify color mixing and create a harmonious painting. Consider using a toned canvas to help establish the overall color mood.

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oil painting for beginners →how to learn by studying the masters →
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