apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Summer Flowers
Summer Flowers by Henri Fantin-Latour

plate no. 9118

Summer Flowers

Henri Fantin-Latour, 1880

oil, canvasRealismflower paintingflowersstill liferosesbouquetvasetable
some experience helpful

Recreating this painting helps students understand color mixing for realistic flower tones and how to create soft, diffused light effects. It also provides practice in capturing the form and texture of flowers with loose brushwork.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the vase and flower arrangement.

  2. step 02

    Block in the background with a muted green-brown tone.

  3. step 03

    Establish the main color masses for each flower type.

  4. step 04

    Add darker values to define the shadows and form of the flowers.

  5. step 05

    Introduce lighter values to create highlights and volume.

  6. step 06

    Refine the details of the flowers, paying attention to petal shapes and textures.

  7. step 07

    Add subtle color variations to the background to create depth.

  8. step 08

    Adjust the overall values and colors to achieve a harmonious balance.

color palette

primary · titanium white · yellow ochre · alizarin crimson · raw umber

secondary · viridian green · cadmium red · ultramarine blue

Achieve the muted tones by mixing complementary colors. Use white to lighten and raw umber to darken and mute the colors. Mix greens from blue and yellow, adjusting with red for natural variations.

techniques

  • ·wet-on-wet blending
  • ·scumbling
  • ·broken color
  • ·glazing
  • ·layering

common pitfalls

  • →Overworking the details and losing the loose, painterly feel.
  • →Using colors that are too bright or saturated.
  • →Failing to establish a clear value structure.
  • →Neglecting the background and its contribution to the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy