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home·artworks·Summer Day in Jyllinge. Lilacs in Bloom and Little Girls in the Village Street
Summer Day in Jyllinge. Lilacs in Bloom and Little Girls in the Village Street by Hans Andersen Brendekilde

plate no. 9560

Summer Day in Jyllinge. Lilacs in Bloom and Little Girls in the Village Street

Hans Andersen Brendekilde, 1922

oilRealismgenre paintingfigureschildrenbuildingsfoliagelilacspath
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape setting and practice creating depth through atmospheric perspective and color temperature changes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and buildings.

  2. step 02

    Establish the main color blocks for the sky, buildings, foliage, and figures.

  3. step 03

    Begin refining the details of the figures, paying attention to proportions and anatomy.

  4. step 04

    Develop the foliage using broken color and varied brushstrokes to create texture.

  5. step 05

    Work on the details of the buildings, including windows, doors, and roof textures.

  6. step 06

    Add the lilacs, using a combination of light and dark purples and greens.

  7. step 07

    Refine the lighting and shadows throughout the painting to create depth and dimension.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · cadmium yellow · alizarin crimson · sap green

Mix various greens by combining yellow ochre, ultramarine blue, and a touch of white. Achieve the lilac hues by blending alizarin crimson, ultramarine blue, and white.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·atmospheric perspective
  • ·color temperature

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear light source and consistent shadows.
  • →Using too much detail in the background, flattening the image.
  • →Not varying brushstrokes enough to create texture and interest.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grit canvas for better paint adhesion and texture.

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related guides

oil painting for beginners →how to learn by studying the masters →
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