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home·artworks·Summer day in Abramtsevo
Summer day in Abramtsevo by Ilya Repin

plate no. 1667

Summer day in Abramtsevo

Ilya Repin, 1880

oil, canvasRealismlandscapegardentreesfigurearchitecturelandscapepath
some experience helpful

Recreating this painting will help students develop skills in creating atmospheric perspective and rendering foliage with loose brushstrokes. It also provides practice in capturing the subtle light and shadow variations in a natural setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main compositional elements: the building, the path, the figure, and the tree masses.

  2. step 02

    Establish the basic color blocks for the sky, foliage, and ground, using thin washes of color.

  3. step 03

    Begin layering in details, focusing on the light and shadow patterns on the building and trees.

  4. step 04

    Use broken brushstrokes to create the texture of the foliage and grass.

  5. step 05

    Add the figure, paying attention to the folds of the dress and the overall silhouette.

  6. step 06

    Refine the details of the path and the architectural elements, adding highlights and shadows.

  7. step 07

    Adjust the overall color harmony and value relationships to create a sense of depth and atmosphere.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · sap green · yellow ochre · titanium white · ultramarine blue

secondary · burnt umber · cadmium yellow · alizarin crimson

Achieve the various greens by mixing sap green, yellow ochre, and ultramarine blue. Use burnt umber to darken the greens and create shadows. Mix titanium white with small amounts of other colors to create highlights and atmospheric effects.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima
  • ·layering

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Creating too much contrast and flattening the sense of depth.
  • →Using colors that are too saturated and unnatural.
  • →Neglecting the importance of value relationships in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·view finder

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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