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home·artworks·Summer Day
Summer Day by Johan Hendrik Weissenbruch

plate no. 3407

Summer Day

Johan Hendrik Weissenbruch, 1903

oil, panelRealismlandscapelandscaperivertreesbuildingsboatsky
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as simplifying complex shapes into basic forms. It also provides practice in depicting reflections in water.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, river, and trees.

  2. step 02

    Block in the sky with a thin layer of light blue and white, blending softly.

  3. step 03

    Establish the main areas of green for the grass and trees, using darker greens for shadows and lighter greens for highlights.

  4. step 04

    Paint the buildings with a mix of gray, white, and touches of brown, paying attention to the light and shadow on the structures.

  5. step 05

    Add the river, using a mix of blues, greens, and grays to create the illusion of depth and movement.

  6. step 06

    Paint the boat with dark browns and grays, adding highlights to suggest form.

  7. step 07

    Add details to the trees and bushes, using small brushstrokes to create texture.

  8. step 08

    Refine the reflections in the water, using broken brushstrokes and muted colors.

color palette

primary · Prussian Blue · Yellow Ochre · Titanium White · Burnt Umber

secondary · Cadmium Yellow · Alizarin Crimson · Sap Green

Mix greens by combining yellow ochre and prussian blue. Use white to lighten colors and create highlights. Add burnt umber to darken colors and create shadows. Mix grays by combining white, burnt umber, and a touch of blue.

techniques

  • ·Layering
  • ·Dry brushing
  • ·Scumbling
  • ·Impasto
  • ·Color Mixing

common pitfalls

  • →Overworking the details too early in the process.
  • →Using too much paint and creating a muddy effect.
  • →Failing to establish a clear value structure.
  • →Not simplifying the complex forms of the trees and bushes.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Oil paints (Prussian Blue, Yellow Ochre, Titanium White, Burnt Umber, Sap Green)
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use a limited palette to simplify the color mixing process. Consider using a toned canvas to create a more unified color scheme.

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oil painting for beginners →how to learn by studying the masters →
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