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Summer by Adriaen van de Venne

plate no. 7674

Summer

Adriaen van de Venne, 1614

oil, woodBaroquelandscapelandscapewindmilltreesfiguresskyanimals
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, creating depth through color and value changes, and rendering complex textures with visible brushstrokes. It also provides practice in depicting figures and animals in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the main compositional elements: horizon line, windmill, trees, and major figure groupings.

  2. step 02

    Block in the sky with broad strokes, establishing the light source and cloud formations.

  3. step 03

    Establish the basic values of the landscape, working from dark to light, paying attention to atmospheric perspective.

  4. step 04

    Start defining the shapes of the trees, using a variety of greens, browns, and yellows to create texture and depth.

  5. step 05

    Add the windmill, paying attention to its structure and the way light falls on it.

  6. step 06

    Begin to add details to the figures, using small brushes to define their forms and clothing.

  7. step 07

    Refine the details of the landscape, adding highlights and shadows to create depth and texture.

  8. step 08

    Add final touches, such as birds in the sky and reflections in the water.

color palette

primary · burnt umber · yellow ochre · ultramarine blue · titanium white

secondary · raw sienna · cadmium yellow · ivory black

Achieve the muted greens by mixing yellow ochre with ultramarine blue and a touch of burnt umber. Create atmospheric perspective by lightening colors with white and adding a touch of blue as they recede into the distance.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Getting lost in the details too early, before establishing the overall composition and values.
  • →Using colors that are too saturated, resulting in a painting that looks unnatural.
  • →Failing to create a sense of depth and atmosphere.
  • →Overworking the details, resulting in a painting that looks stiff and lifeless.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, yellow ochre, ultramarine blue, titanium white, raw sienna, ivory black)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round and flat, various sizes)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Using a toned canvas (e.g., with a thin wash of burnt umber) can help to establish the overall value range and create a sense of atmosphere.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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