apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Sultan Ahmed III
Sultan Ahmed III by Jean Baptiste Vanmour

plate no. 1171

Sultan Ahmed III

Jean Baptiste Vanmour, 1717

oil, canvasBaroqueportraitfigureportraitclothinglandscapemenhistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering fabrics and textures, and understanding atmospheric perspective to create depth.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Establish the background with a thin wash of dark green and brown, suggesting the landscape and building.

  3. step 03

    Block in the main colors of the figures' clothing, paying attention to the overall tonal values.

  4. step 04

    Begin layering and blending colors to create the folds and shadows in the fabrics.

  5. step 05

    Add details to the faces, focusing on accurate proportions and subtle shading.

  6. step 06

    Paint the intricate details of the clothing, such as the gold trim and fur lining.

  7. step 07

    Refine the background and add subtle highlights to create depth.

  8. step 08

    Add final details and highlights to the figures, focusing on the textures of the fabrics and the reflections on the metal elements.

color palette

primary · yellow ochre · burnt umber · raw sienna · ivory black

secondary · cadmium red · titanium white · ultramarine blue

Mix various shades of brown and green by combining burnt umber, raw sienna, and ivory black. Use white to create highlights and red to add warmth to the skin tones and clothing.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurate proportions in the figures.
  • →Over-blending, resulting in a flat, lifeless appearance.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knives
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to speed up the painting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne