
plate no. 1548
Ivan Vladimirov, 1925
Recreating this painting will help students understand atmospheric perspective and how to simplify complex landscapes into basic shapes and values. It's also a good exercise in color mixing to achieve subtle variations in earth tones and sky colors.
technical profile
approach — 8 steps
Sketch the basic shapes of the hill and the cloud formations, paying attention to the horizon line.
Block in the sky with a light blue, gradually adding white to create variations in the clouds.
Establish the base color of the hill using a mix of browns and greens, varying the tone to suggest depth.
Add darker values to the shadows on the hill, using a mix of burnt umber and a touch of blue.
Paint the individual trees, simplifying their forms and using darker greens and browns.
Refine the cloud shapes, adding highlights and shadows to create a three-dimensional effect.
Add subtle details to the foreground, such as grasses and small rocks.
Review and adjust the overall values and colors to achieve a sense of harmony.
color palette
primary · ultramarine blue · titanium white · burnt umber · yellow ochre
secondary · sap green · raw sienna
Mix ultramarine blue and titanium white for the sky, adding small amounts of yellow ochre for warmer tones. Use burnt umber, yellow ochre, and sap green to create various earth tones for the hill.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.
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