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home·artworks·Study: Sheep Pasture at Nauroy
Study: Sheep Pasture at Nauroy by Julien Dupré

plate no. 7496

Study: Sheep Pasture at Nauroy

Julien Dupré

oil, canvasRealismlandscapelandscapesheeppastureanimalsfieldfarmhouse
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and loose, expressive brushwork to depict texture and form. It also provides practice in simplifying complex subjects into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the horizon line and the basic shapes of the farmhouse, windmill, and sheep.

  2. step 02

    Block in the sky with a thin wash of pale blue and grey, blending the colors softly.

  3. step 03

    Establish the general color and value of the distant field and trees, using a muted green and brown.

  4. step 04

    Begin blocking in the foreground field with broad strokes of brown, yellow, and green, varying the colors to create texture.

  5. step 05

    Add the sheep, focusing on their overall shapes and values rather than individual details.

  6. step 06

    Use thicker paint and bolder brushstrokes to define the sheep in the foreground, adding highlights and shadows.

  7. step 07

    Refine the details of the farmhouse and windmill, keeping them simple and slightly blurred to maintain atmospheric perspective.

  8. step 08

    Add final touches and highlights to the foreground field and sheep, adjusting values and colors as needed.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · cerulean blue · sap green · burnt sienna

Mix muted greens by combining yellow ochre, sap green, and a touch of raw umber. Achieve atmospheric perspective by lightening and greying colors as they recede into the distance.

techniques

  • ·dry brush
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima
  • ·broken color

common pitfalls

  • →Overworking the details, especially in the background.
  • →Making the colors too saturated or bright.
  • →Losing the sense of depth and atmosphere.
  • →Defining the sheep too sharply, making them look flat.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

A medium-sized canvas (e.g., 16x20 inches) is suitable for this painting. Use a limited palette of colors to simplify the mixing process.

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