
plate no. 4461
Jan Lievens, 1630
Recreating this painting will help students understand chiaroscuro and how to model form with light and shadow. It also provides practice in rendering textures like skin and hair using layered brushstrokes.
technical profile
approach — 8 steps
Sketch the basic shapes of the head, beard, and collar using light pencil lines.
Block in the background with a thin layer of black paint.
Establish the main areas of light and shadow on the face and beard with mid-tones.
Begin layering lighter tones to build up the highlights on the forehead, nose, and beard.
Add darker tones to deepen the shadows around the eyes, mouth, and neck.
Refine the details of the facial features, paying attention to the subtle transitions between light and shadow.
Use small, broken brushstrokes to create the texture of the beard and hair.
Add final highlights and details to complete the painting.
color palette
primary · ivory black · raw umber · titanium white · yellow ochre
secondary · burnt sienna · ultramarine blue
Mix various shades of brown and gray by combining ivory black, raw umber, and titanium white. Add small amounts of yellow ochre and burnt sienna for warmth in the skin tones. Use ultramarine blue sparingly to cool down shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a toned canvas to speed up the painting process.
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