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home·artworks·Study of an Old Man
Study of an Old Man by Jan Lievens

plate no. 4461

Study of an Old Man

Jan Lievens, 1630

oilBaroqueportraitportraitold manbeardfigureheadcollar
some experience helpful

Recreating this painting will help students understand chiaroscuro and how to model form with light and shadow. It also provides practice in rendering textures like skin and hair using layered brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
5
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the head, beard, and collar using light pencil lines.

  2. step 02

    Block in the background with a thin layer of black paint.

  3. step 03

    Establish the main areas of light and shadow on the face and beard with mid-tones.

  4. step 04

    Begin layering lighter tones to build up the highlights on the forehead, nose, and beard.

  5. step 05

    Add darker tones to deepen the shadows around the eyes, mouth, and neck.

  6. step 06

    Refine the details of the facial features, paying attention to the subtle transitions between light and shadow.

  7. step 07

    Use small, broken brushstrokes to create the texture of the beard and hair.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue

Mix various shades of brown and gray by combining ivory black, raw umber, and titanium white. Add small amounts of yellow ochre and burnt sienna for warmth in the skin tones. Use ultramarine blue sparingly to cool down shadows.

techniques

  • ·chiaroscuro
  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·layering

common pitfalls

  • →Overblending, which can flatten the form.
  • →Using too much white, which can make the skin look chalky.
  • →Ignoring the subtle color variations in the shadows.
  • →Failing to capture the texture of the beard and hair.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint

Use high-quality oil paints for best results. Consider using a toned canvas to speed up the painting process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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