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Study in Grey by Emil Carlsen

plate no. 1859

Study in Grey

Emil Carlsen, 1906

oilRealismstill lifestill lifepotpitcherbowlclothtable
some experience helpful

Recreating this painting will help students develop skills in subtle value transitions and rendering realistic textures with a limited color palette. It also provides practice in accurately depicting the form and light interaction on simple objects.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and placement of the objects, paying attention to their proportions and relationships to each other.

  2. step 02

    Establish the background color with a thin wash of neutral gray.

  3. step 03

    Block in the main value areas of each object, starting with the darkest shadows and lightest highlights.

  4. step 04

    Begin refining the shapes and values of each object, gradually building up layers of paint.

  5. step 05

    Pay close attention to the subtle gradations of light and shadow on the rounded surfaces.

  6. step 06

    Add details such as the handles, rims, and folds in the cloth.

  7. step 07

    Soften edges where necessary to create a sense of depth and atmosphere.

  8. step 08

    Make final adjustments to the values and colors to achieve a harmonious and realistic effect.

color palette

primary · ivory black · titanium white · raw umber

secondary · yellow ochre · burnt umber

Achieve the various gray tones by mixing ivory black and titanium white in different ratios. Add small amounts of raw umber or yellow ochre to warm up the grays. Use burnt umber for the darkest shadows.

techniques

  • ·value studies
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the painting and losing the freshness of the initial layers.
  • →Creating harsh edges and neglecting subtle value transitions.
  • →Failing to accurately capture the proportions and shapes of the objects.
  • →Using too much color and deviating from the limited palette.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·linseed oil
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

A smooth canvas surface will be helpful for achieving the subtle blends in this painting.

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oil painting for beginners →how to learn by studying the masters →
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