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home·artworks·Study for The Jews' Wailing Place
Study for The Jews' Wailing Place by Henry Ossawa Tanner

plate no. 7008

Study for The Jews' Wailing Place

Henry Ossawa Tanner, 1897

oilRealismsketch and studywallfiguresarchitecturestreetprayer
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow on textured surfaces and simplifying complex scenes into basic shapes and values. It also provides practice in depicting figures in a realistic yet expressive manner.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the perspective of the wall and the placement of the figures.

  2. step 02

    Establish the overall value structure by blocking in the dark and light areas with diluted paint.

  3. step 03

    Begin to refine the shapes of the wall stones, paying attention to the direction of light and shadow.

  4. step 04

    Add the figures, starting with the larger shapes and gradually adding details like clothing and head coverings.

  5. step 05

    Introduce the secondary colors and subtle variations in the wall to create depth and interest.

  6. step 06

    Refine the details of the figures, adding highlights and shadows to create form.

  7. step 07

    Add the small patches of greenery on the wall.

  8. step 08

    Make final adjustments to the values and colors to create a sense of atmosphere and realism.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · ultramarine blue · alizarin crimson

Mix yellow ochre and burnt umber with varying amounts of white to achieve the different shades of the wall. Use ultramarine blue and alizarin crimson to create the darker tones in the figures and shadows.

techniques

  • ·blocking in
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Overworking the details and losing the overall sense of light and shadow.
  • →Failing to establish a strong value structure from the beginning.
  • →Getting lost in the details of the figures before establishing their basic shapes.
  • →Using too much detail on the wall, making it look flat.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·alizarin crimson oil paint
  • ·#6 round brush
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-textured canvas to help create the rough texture of the wall. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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