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home·artworks·Study for 'The Cranberry Harvest, Island of Nantucket'
Study for 'The Cranberry Harvest, Island of Nantucket' by Eastman Johnson

plate no. 7126

Study for 'The Cranberry Harvest, Island of Nantucket'

Eastman Johnson, 1879

oilRealismgenre paintingfieldfiguresharvestskylandscapehill

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the hill and figures.

  2. step 02

    Block in the sky with a light blue, adding hints of yellow near the horizon.

  3. step 03

    Establish the base color of the field with a mix of yellow ochre, burnt sienna, and white.

  4. step 04

    Add darker values to the foreground to create depth, using burnt umber and raw sienna.

  5. step 05

    Begin painting the figures with simple shapes, focusing on their gestures and poses.

  6. step 06

    Add details to the hill and trees in the background, using darker greens and browns.

  7. step 07

    Refine the figures, adding highlights and shadows to create form.

  8. step 08

    Add final details and highlights to the field, sky, and figures to complete the painting.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue · titanium white

secondary · raw sienna · burnt umber · sap green

Mix various earth tones by combining yellow ochre, burnt sienna, and burnt umber. Use white to lighten values and blue to create cooler tones.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·atmospheric perspective
  • ·loose brushwork
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Ignoring atmospheric perspective, making the background appear too sharp.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·#6 round brush
  • ·#4 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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