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home·artworks·Study for Nicodemus Visiting Jesus
Study for Nicodemus Visiting Jesus by Henry Ossawa Tanner

plate no. 7411

Study for Nicodemus Visiting Jesus

Henry Ossawa Tanner, 1899

oilRealismsketch and studyfiguresinteriorsketchreligioushalonight
some experience helpful

Recreating this painting will help students develop skills in blocking in shapes, using a limited color palette, and creating atmospheric perspective with loose brushwork. It also encourages simplification of forms and focusing on value relationships.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and placement of the figures and background elements.

  2. step 02

    Block in the large areas of dark values using a mix of browns and blues.

  3. step 03

    Add the lighter blues and greens in the background with loose, horizontal strokes.

  4. step 04

    Define the figures further by adding subtle variations in value and color within the dark areas.

  5. step 05

    Introduce the halo around the figure on the right using a light, creamy white.

  6. step 06

    Refine the edges of the figures and background, softening some and defining others.

  7. step 07

    Add final highlights and details to create depth and interest.

  8. step 08

    Step back and adjust values and colors as needed to achieve a cohesive and atmospheric effect.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · sap green · yellow ochre

Mix blues and browns to create the dark values. Use white to lighten the blues for the sky and background. Add small amounts of green and yellow ochre to the blues to create subtle variations in the background.

techniques

  • ·blocking in
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·value study

common pitfalls

  • →Overworking the details and losing the loose, sketch-like quality.
  • →Using too much bright color and overpowering the muted tones.
  • →Not establishing a strong value structure before adding color.
  • →Making the figures too defined and losing the sense of mystery.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a slightly textured surface to enhance the brushwork. Consider using a toned canvas to establish a base value.

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oil painting for beginners →how to learn by studying the masters →
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