apprentice
artistsserieslearnchatartworkscommunity galleryblog
apprentice

deliberate practice for serious artists

writingsourcesmethodsaboutgalleryprivacyterms
built by reducibl.com
home·artworks·Study for 'At evening time'
Study for 'At evening time' by George Elgar Hicks

plate no. 9933

Study for 'At evening time'

George Elgar Hicks, 1864

oilRealismgenre paintingfigurewindowseaboatscurtainsinterior

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, window, and horizon line.

  2. step 02

    Establish the overall color scheme by blocking in the main areas of color: the sky, sea, figure's dress, and interior.

  3. step 03

    Begin refining the details of the sky and sea, paying attention to the subtle gradations of color and the atmospheric perspective.

  4. step 04

    Work on the figure, focusing on the folds of the dress and the highlights and shadows that define its form.

  5. step 05

    Add details to the interior, including the curtains, chair, and rug.

  6. step 06

    Refine the details of the boats in the distance, using small brushstrokes to suggest their form.

  7. step 07

    Add final highlights and shadows to create a sense of depth and realism.

  8. step 08

    Review and adjust the overall composition, making sure that the focal point is clear and the colors are balanced.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · alizarin crimson · cadmium yellow

Achieve the atmospheric sky and sea by mixing ultramarine blue, white, and a touch of yellow ochre. Create the purple dress by mixing alizarin crimson and ultramarine blue, adjusting the proportions to achieve the desired shade.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·atmospheric perspective
  • ·rendering fabric

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear focal point.
  • →Using colors that are too saturated.
  • →Ignoring the subtle gradations of color in the sky and sea.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·color wheel

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for capturing the details of the painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy