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home·artworks·Street view from Milan, in the background the Duomo
Street view from Milan, in the background the Duomo by Angelo Inganni

plate no. 3804

Street view from Milan, in the background the Duomo

Angelo Inganni, 1844

oil, canvasRealismcityscapecityscapebuildingsfountainfiguresskyarchitecture
experienced study

Recreating this painting will help students develop skills in perspective, atmospheric perspective, and rendering complex architectural details. It also provides practice in depicting figures in a crowd and capturing the effects of light and shadow on various surfaces.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and perspective, paying close attention to the vanishing points.

  2. step 02

    Block in the main shapes and forms of the buildings, fountain, and figures using simplified geometric shapes.

  3. step 03

    Establish the basic color palette and value range by applying thin washes of color to the canvas.

  4. step 04

    Gradually build up the details of the buildings, adding windows, architectural features, and subtle variations in color and texture.

  5. step 05

    Refine the fountain, paying attention to the play of light and shadow on the water and sculpted figures.

  6. step 06

    Add the figures, starting with the larger shapes and gradually adding details and individual characteristics.

  7. step 07

    Create atmospheric perspective by softening the edges and reducing the contrast of distant objects.

  8. step 08

    Add final details, such as highlights, shadows, and reflections, to bring the painting to life.

color palette

primary · raw umber · titanium white · ultramarine blue

secondary · yellow ochre · burnt sienna · cadmium red light

Mix various shades of brown and gray by combining raw umber, ultramarine blue, and titanium white. Use yellow ochre and burnt sienna to create warm highlights and shadows on the buildings and figures.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering

common pitfalls

  • →Incorrect perspective can distort the overall composition.
  • →Overworking the details can make the painting look stiff and unnatural.
  • →Failing to create atmospheric perspective can flatten the image.
  • →Inconsistent lighting can detract from the realism of the scene.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with a layer of gesso before painting.

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oil painting for beginners →how to learn by studying the masters →
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