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home·artworks·Street of Milan at sunset
Street of Milan at sunset by Mosè Bianchi

plate no. 6969

Street of Milan at sunset

Mosè Bianchi

oil, cardboardRealismcityscapestreetcityscapecarriagesfiguresbuildingssky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the mood of a cityscape. It also provides practice in simplifying complex scenes and using loose brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a warm toned ground (e.g., burnt sienna wash).

  2. step 02

    Sketch the basic composition, focusing on the perspective of the street and the placement of major elements.

  3. step 03

    Block in the sky with a blend of orange, yellow, and white, creating a soft, diffused light.

  4. step 04

    Establish the distant buildings and sky using a muted blue-grey palette, focusing on atmospheric perspective.

  5. step 05

    Paint the road surface with varying shades of grey and blue, suggesting wetness and reflections.

  6. step 06

    Add the carriages and figures using simplified shapes and dark values.

  7. step 07

    Introduce details such as the trees and building edges with loose, expressive brushstrokes.

  8. step 08

    Refine the highlights and shadows to enhance the sense of depth and atmosphere.

color palette

primary · yellow ochre · ultramarine blue · burnt sienna

secondary · titanium white · ivory black · cadmium yellow

Mix various shades of grey by combining ultramarine blue, burnt sienna, and white. Achieve the warm sky tones by blending yellow ochre, cadmium yellow, and white. Use black sparingly to darken values.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·wet-on-wet blending
  • ·simplified forms

common pitfalls

  • →Overworking details
  • →Creating harsh lines
  • →Ignoring atmospheric perspective
  • →Using too much black
  • →Failing to simplify the forms

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish
  • ·easel

A toned canvas will help unify the painting and create a warm underglow. Use a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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