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home·artworks·Street Musicians at the Door
Street Musicians at the Door by Jacob Ochtervelt

plate no. 9076

Street Musicians at the Door

Jacob Ochtervelt, 1665

canvas, oilBaroquegenre paintingfiguresinteriorstreet scenemusiciansarchitecturedoorway
experienced study

This painting offers a chance to practice rendering realistic figures in different lighting conditions and capturing the textures of various fabrics. Students can also learn about creating depth through atmospheric perspective in the background street scene.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and the doorway.

  2. step 02

    Establish the dark background tones and the light areas of the interior.

  3. step 03

    Block in the main colors of the figures' clothing, paying attention to local color and highlights.

  4. step 04

    Begin refining the details of the faces and hands, using subtle gradations of tone.

  5. step 05

    Develop the textures of the fabrics, using layering and glazing techniques.

  6. step 06

    Paint the street scene in the background, using muted colors and soft edges to create atmospheric perspective.

  7. step 07

    Add the details of the tiled floor, paying attention to perspective and reflections.

  8. step 08

    Apply final glazes and highlights to enhance the overall realism and luminosity.

color palette

primary · ivory black · burnt umber · titanium white · cadmium red light

secondary · ultramarine blue · yellow ochre · viridian

Mix various shades of gray and brown for the interior and figures. Use glazes of red and yellow to create the warm tones of the clothing. Mix blue and white for the cool tones of the sky and some clothing.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·rendering fabric

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall sense of light and atmosphere.
  • →Failing to create a convincing sense of depth in the background.
  • →Using colors that are too saturated or unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·mahl stick

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color harmony.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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