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home·artworks·Street in Yalta
Street in Yalta by Isaac Levitan

plate no. 6613

Street in Yalta

Isaac Levitan, 1886

oilRealismcityscapestreetbuildingsfiguretreeshillsky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the effects of light and shadow on a landscape. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the buildings, the road, and the figure.

  2. step 02

    Block in the large areas of color, starting with the sky and the road, using thin washes.

  3. step 03

    Establish the basic values of the buildings and the hill, paying attention to the light and shadow.

  4. step 04

    Add the trees and other vegetation, using a variety of greens and blues.

  5. step 05

    Refine the details of the buildings, including the windows, doors, and roofs.

  6. step 06

    Paint the figure in the street, paying attention to its proportions and placement.

  7. step 07

    Add final details and highlights to create depth and interest.

  8. step 08

    Review and adjust the overall composition and color balance.

color palette

primary · yellow ochre · titanium white · ultramarine blue

secondary · burnt umber · viridian green · cadmium red light

Mix various shades of yellow ochre and white for the road and buildings. Use ultramarine blue and white for the sky. Mix greens with viridian green, yellow ochre, and burnt umber.

techniques

  • ·dry brush texture
  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Failing to establish a clear value structure, resulting in a flat painting.
  • →Using too much detail in the background, which can flatten the perspective.
  • →Not paying attention to the color temperature of the light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·viridian green oil paint
  • ·cadmium red light oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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