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home·artworks·Stormy day
Stormy day by Isaac Levitan

plate no. 3159

Stormy day

Isaac Levitan, 1897

oil, canvasRealismlandscapeskycloudsfieldbuildingstreeslandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the mood of a landscape using color and brushwork. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and placement of the buildings and trees.

  2. step 02

    Block in the sky with light blues and grays, creating the cloud shapes with loose brushstrokes.

  3. step 03

    Establish the basic values of the field, using darker greens in the foreground and lighter greens in the distance.

  4. step 04

    Add details to the buildings, using dark browns and grays to define their forms.

  5. step 05

    Paint the trees with a mix of greens and browns, suggesting their foliage with textured brushstrokes.

  6. step 06

    Add highlights to the clouds and field to create a sense of depth and dimension.

  7. step 07

    Introduce small details like wildflowers in the foreground to add interest.

  8. step 08

    Refine the overall composition and adjust values as needed to create a cohesive and atmospheric landscape.

color palette

primary · ultramarine blue · titanium white · yellow ochre · sap green

secondary · burnt umber · alizarin crimson · violet

Mix blues and whites for the sky, adding a touch of yellow ochre for warmth. Create various greens by mixing blue, yellow, and white, and use burnt umber to darken the greens for shadows.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Using too much detail in the distance, which flattens the perspective.
  • →Creating overly saturated colors that detract from the muted tones of the landscape.
  • →Failing to establish a clear value structure, resulting in a muddy or flat painting.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (ultramarine blue, titanium white, yellow ochre, sap green, burnt umber)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting knife

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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