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home·artworks·Storm on the Roman Campagna
Storm on the Roman Campagna by Alfred Downing Fripp

plate no. 9494

Storm on the Roman Campagna

Alfred Downing Fripp

watercolor, pencilRealismlandscapelandscapecloudsmountainsruinsfieldsky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and watercolor blending techniques to create soft, diffused light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main compositional elements: horizon line, mountains, ruins, and cloud formations.

  2. step 02

    Apply a light wash of diluted blue and violet to the sky area, allowing it to blend and create cloud shapes.

  3. step 03

    Add darker washes of gray and purple to define the shadows in the clouds and create depth.

  4. step 04

    Paint the distant mountains with a diluted blue-gray wash, using lighter tones for areas closer to the horizon.

  5. step 05

    Apply a base wash of ochre and brown to the foreground field, varying the tones to create texture.

  6. step 06

    Paint the ruins with a mix of ochre, burnt sienna, and a touch of black, adding details to suggest texture and form.

  7. step 07

    Add details to the foreground, such as rocks and vegetation, using dry brush techniques for texture.

  8. step 08

    Refine the painting by adding highlights and shadows to create depth and dimension.

color palette

primary · ultramarine blue · burnt sienna · yellow ochre

secondary · raw umber · violet · white

Mix ultramarine and burnt sienna for grays and browns. Use white sparingly to lighten values. Violet can be created by mixing ultramarine and a touch of red.

techniques

  • ·wet-on-wet blending
  • ·dry brush
  • ·atmospheric perspective
  • ·layering washes
  • ·glazing

common pitfalls

  • →Overworking the details in the foreground, losing the sense of depth.
  • →Using colors that are too saturated, resulting in a harsh or unnatural look.
  • →Failing to create a clear sense of atmospheric perspective.
  • →Not allowing washes to dry completely before adding subsequent layers.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor paper (140lb)
  • ·round watercolor brushes (various sizes)
  • ·flat watercolor brushes (various sizes)
  • ·palette
  • ·water container
  • ·pencil
  • ·kneaded eraser

optional

  • ·masking fluid
  • ·palette knife
  • ·ruler

Use high-quality watercolor paper to prevent buckling and ensure good color absorption. Experiment with different brush sizes and techniques to achieve desired effects.

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related guides

watercolor techniques →how to draw →how to learn by studying the masters →
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