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home·artworks·Storks
Storks by Józef Chełmoński

plate no. 0796

Storks

Józef Chełmoński

oilRealismgenre paintingfiguresfieldskybirdslandscapeanimals
some experience helpful

This painting provides practice in rendering figures in a landscape and capturing atmospheric perspective. Students will develop skills in color mixing to achieve realistic skin tones and the subtle gradations in the sky.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the figures, horizon line, and major elements.

  2. step 02

    Block in the sky with a light blue base, gradually adding subtle variations in tone and color.

  3. step 03

    Establish the basic shapes and values of the figures, focusing on accurate proportions and anatomical details.

  4. step 04

    Paint the field with broad strokes, capturing the overall color and texture of the grass and wildflowers.

  5. step 05

    Add details to the figures, such as facial features, clothing folds, and highlights.

  6. step 06

    Render the background elements, including the buildings, trees, and animals, with decreasing detail as they recede into the distance.

  7. step 07

    Paint the birds in the sky, paying attention to their shapes, sizes, and positions.

  8. step 08

    Refine the painting with final touches, adjusting values, colors, and details as needed.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium red · sap green

Mix various shades of green for the grass by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve skin tones by blending titanium white, yellow ochre, cadmium red, and burnt umber.

techniques

  • ·blocking in
  • ·blending
  • ·layering
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details in the background, which can flatten the perspective.
  • →Using too much pure white, which can make the painting look chalky.
  • →Neglecting the subtle variations in color and value, which can result in a flat and lifeless painting.
  • →Inaccurate proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

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