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home·artworks·Stop at the aedicule
Stop at the aedicule by Vincenzo Cabianca

plate no. 1043

Stop at the aedicule

Vincenzo Cabianca

oil, panelRealismgenre paintingfigurebuildinglandscapehaystacktreesky
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow, as well as simplifying complex scenes into basic shapes and color blocks. It also offers practice in depicting figures in a natural setting with loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the building, figure, haystack, and horizon line.

  2. step 02

    Block in the sky with a thin layer of blue, leaving some areas lighter for clouds.

  3. step 03

    Establish the basic values of the building and haystack using earth tones.

  4. step 04

    Paint the figure, focusing on the overall shape and color rather than fine details.

  5. step 05

    Add the dark accents of the doorway and tree branches.

  6. step 06

    Develop the foliage around the haystack with short, broken brushstrokes.

  7. step 07

    Refine the light and shadow on the building and figure.

  8. step 08

    Add final details and highlights to the haystack and foreground.

color palette

primary · ultramarine blue · burnt umber · yellow ochre

secondary · titanium white · cadmium yellow · raw sienna

Mix various shades of brown and beige by combining burnt umber, yellow ochre, and white. Create the sky by mixing ultramarine blue with white, and adjust the hue with small amounts of yellow.

techniques

  • ·blocking in
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·alla prima

common pitfalls

  • →Overworking the details too early in the process.
  • →Making the colors too saturated or bright.
  • →Losing the overall sense of light and shadow.
  • →Getting bogged down in the details of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-textured canvas to allow for visible brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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