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home·artworks·Still Life with Wine Goblet and Oysters
Still Life with Wine Goblet and Oysters by Pieter Claesz.

plate no. 9289

Still Life with Wine Goblet and Oysters

Pieter Claesz., 1638

oilBaroquestill lifestill lifeoysterswine gobletlemontableclothmetalware
experienced study

Recreating this painting will help students develop skills in rendering reflective surfaces and creating realistic textures. It also provides practice in observing and painting subtle gradations of light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, paying attention to proportions and placement.

  2. step 02

    Establish the background with a thin, even layer of neutral color.

  3. step 03

    Block in the main shapes of the objects with their local colors, focusing on the overall value structure.

  4. step 04

    Begin layering and blending colors to create smooth transitions and define forms.

  5. step 05

    Add highlights and shadows to create depth and dimension, paying close attention to the light source.

  6. step 06

    Work on the details of the objects, such as the texture of the oysters and the reflections on the metalware.

  7. step 07

    Refine the edges and details, ensuring that the painting has a sense of realism and depth.

  8. step 08

    Add final glazes to unify the colors and create a sense of atmosphere.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · ivory black · cadmium yellow light · burnt sienna

Achieve the subtle grays and browns by mixing raw umber, ivory black, and titanium white in varying proportions. Use yellow ochre and cadmium yellow light for the lemon and highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending
  • ·rendering reflective surfaces

common pitfalls

  • →getting the proportions wrong
  • →overworking the details too early
  • →not paying attention to the light source
  • →using colors that are too saturated

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·#2 round brush
  • ·#6 filbert brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·burnt sienna oil paint
  • ·cadmium yellow light oil paint

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the value structure.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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